Laverie Vallee (July 18, 1875 – February 6, 1949), best known by her stage name Charmion, was a Sacramento born trapeze artist who possessed strength and a physique most men would be envious of. However, she was most well known for her risqué striptease performances.

The act opened with Charmion taking the stage in full Victorian attire. She would then mount the trapeze and proceed to undress to her leotard while performing impressive and strength-dependent stunts. The act was incredibly impressive and provocative for the era. However, the controversy created by her performances did not prevent the formulation of a devoted, and mostly male, fan base.

One of her greatest fans was Thomas Edison. As a result of that adoration, on November 11, 1901 Charmion committed a simplified version of her act to film for Edison. The film, simply entitled ‘Trapeze Disrobing Act’ focused more on the erotic aspect of the performance, though a few remarkable feats of strength are featured.

 

(Source: mormolyce)

 
Alain Fleischer - Soul of the Knife, 1982

Alain Fleischer - Soul of the Knife, 1982

Nino Cais
Maiastra, 2007

Umberto Dattola

“EVNI is a collection of giant furniture developed by Italian designer Umberto Dattola. The artist creates all kinds of woodwork that blends carpentry and design. For this project, he took old pieces of furniture and transformed them into these unique, lively pieces. The oversized furniture was first revealed at Milan Design Week and is reminiscent of a fantasy scene, like something directly out of Alice in Wonderland.

EVNI is a project that gives life and expression to otherwise inanimate objects. Through the work, Dattola explores the possibility that everyday objects absorb emotions and carry those feelings throughout the course of existence. Dattola explains: “What, of our passions, remain in the object during our life? Can we consider that some objects follow us during our entire life, absorbing our passions, moments of happiness, and moments of sadness? The question is: are we sure that all our sentiments pass without any influence around us?” The final product certainly seems to have a life of its own. With their long, wavy legs, the surreal pieces look like they might get up and scurry away at any moment.”

2012 Human Tower Competition in Tarragona, Spain photographed by David Oliete.

Keith Arnatt - Self Burial with Mirror, 1969

Keith Arnatt - Self Burial with Mirror, 1969

JocJonJosch